Summarized and critiqued from Ezra Klein’s article: Christopher Nolan’s Trojan Horse
Tricks are central to “The Odyssey” and Odysseus is a trickster. He is described, in the first line of the story, as the man of many ways or of many wiles or of many turns. He is, depending on the translator, an ingenious man, a cunning man, a complicated man. He is a man of appetites and contradictions, a man who wants nothing more than to go home but keeps choosing to stay abroad, a man who yearns for his wife but cannot stop bedding goddesses. Odysseus is never one thing; he is always many things.
Trickster Makes This World
“Hyde’s argument in Trickster Makes This World: Mischief, Myth, and Art is that tricksters are both necessary and dangerous. They represent a tension every society must grapple with. A culture that cannot meet disruption with creativity cannot survive change. A culture that cannot protect its core values will be consumed by corruption. Too much order leads to paralysis; too much chaos invites collapse.”
Nolan’s Central Trick
Nolan has smuggled the core of Judeo-Christian ethics into “The Odyssey.” Zeus’ law, in Nolan’s “Odyssey,” echoes Leviticus 19:34: “The foreigner residing among you must be treated as your native-born. Love them as yourself, for you were foreigners in Egypt.”
Rabbi Hillel, who said: “What is hateful to you, do not do to your fellow. That is the whole Torah; the rest is commentary.”
Matthew 7:12, when Jesus says, “In everything, do to others what you would have them do to you, for this sums up the law and the prophets.”
Cruelty is weakness
Only compassion and reciprocity build a durable and decent society. Order is necessary but order without ethics and restraint is perversion or authoritarianism.
Justice in America has come, repeatedly, when those seeking progress realize that the language of the Torah, of the New Testament and of the Declaration of Independence can be wielded on behalf of a new world.
